Wet Spring

Fire in the cookstove so late in April, 
& even the buds on the spindly azalea 
refuse to blossom; the dandelions rise 
whispering, late, late,  & the tools
lie limp in the garden beyond which 
rough lumps of soil drink in the
pounding rain & my vision  
of six weeks of unending rain. 
For you who have not lived here
day by day, bloom after bloom, 
there is no design or reason for
"unending rain;” & for one who 
arrives & leaves early next day, 
this pattern's changed by seeing 
the garden, its every streaming wonder, 
as an anticipation of each moment.
I set out to arrange the garden,
to enhance the pattern that in the rain 
had bloomed & faded to what seemed
impermanent  & was a response to,
an echo of, what had gone before.

Wet blue forget-me-nots spun tipsily 
down the lawn, this flower 
an anticipation of that flower,  
while the creeping daisy-whites
raced up a hillside rich with
fresher flowers, forever. At least
I'd like it to be like that, each  
moment a going-forth: one morning 
after the rain had stopped, I cut to
the stem last year's spiny rose-hip shoots
& what came back was all leaf 
& greenery, all freshness & renewal, 
each moment an after-thought of
what had gone before; a sweetness 
spread leaf to leaf, & from this
ungiving spring's spare economy 
came hemlock seedlings along 
a soggy embankment & the rain 
began again.

Tony Whedon’s poems and essays appear in Harpers, Agni, American Poetry Review, Iowa Review, Prairie Schooner, Sewanee Review, Ploughshares and elsewhere. Read more.

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Becoming Philodendron

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Ode to Mint