Sydney Lea

Scarlet/Indigo

Artist Statement: Talking & Listening to Plants

 What has long attracted me to the natural world is not any capacity I might have to experience a Wordsworthian interfusion of its “soul” with mine than that –for all the inroads of science– it retains its otherness from me. There are poets, it seems to me, who regard Nature as somehow a storehouse of metaphors that may help them along; I am not immune from such a delusive temptation, but –given where and how I live, rather deep in the woods of upper New England– almost any hike into the landscape will provide some reminder that I am a guest, not an agent, spiritual, poetic, metaphorical, what have you. It is salutary, I believe, to encounter zoological, botanical, or geological realms that defy our yens to submit them to whatever artificial schemes we may surmise.


SYDNEY LEA – former Pulitzer finalist, winner of the 1998 Poets’ Prize, Vermont Poet Laureate (2011-15), and founder of New England Review – is author of 21 books, with two forthcoming. His latest publication is a mock-epic graphic poem, The Exquisite Triumph of Wormboy (Able Muse, 2020), produced in collaboration with former Vermont Cartoonist Laureate, James Kochalka. His thirteenth collection of poems, Here (Four Way Books), appeared in late 2019. Lea is also author of the novel A Place in Mind (Scribner, 1989), four prior collections of personal essays, and a critical volume, A Hundred Himalayas (University of Michigan Press).