Maggie Dietz
Artist Statement: Talking & Listening to Plants
Sometimes nature deceives us into thinking we can pause, all the while demonstrating the ways time keeps bearing forward. Certain stretches of high summer – and certain stretches of my children’s childhoods – have felt almost suspended. “Reprieve” focuses on those moments I’ve experienced peak greenness, and some primal chord of pure potential. Cicadas are a suitable soundtrack, and nothing better represents the feeling than the morning glory vines I’ve observed coiling themselves with invisible volition onto the trellis and porch-rail. “Trick Narcissus” recalls how the Homeric Hymns describe the flower Persephone found in a field: “From its root a hundred heads grew out and a perfumed odor; the whole broad sky above and the whole earth smiled, and the salty swell of the sea” (tr. Martin L. West). So went the planning of more powerful gods: the girl would not be able to resist the thrall of beauty, a blossom that charmed the socks off the very atmosphere. As a parent I have found it hard to resist a certain kind of what-iffing that unspools various rosy outcomes had this or that not happened. As in real life, in this poem such imaginings are a knife’s-edge of an enterprise: there is rue in them, and also comfort.
Maggie Dietz is author of the poetry collections Perennial Fall (Chicago, 2006) and That Kind of Happy (Chicago, 2016). Her new book is If You Would Let Me (Four Way, 2026). She is an Associate Professor of English at the University of Massachusetts Lowell.