Maggie Dietz
Artist Statement: Talking & Listening to Plants
Annuals make me sad. Cut flowers, too. I see their beauty—rows of peppery-smelling marigolds lining a walk, vases of orchids and ranunculus arranged with chic, short-stemmed asymmetry. I can enjoy them, but their impermanence transmits anxiety. My temperament is suited to perennials: each spring out of the cold earth, miraculous, phoenix-like, they recreate themselves, often cropping up more lush and sturdy than in the previous season. I’m a sucker for renewal, for second chances. And infinite chances? For all its marvelous impossibility, the notion brims with hope.
I do like some perennials more than others. When I found out the tall, thick-stemmed blooms that brightened local meadows and my friend’s yard were called false indigo, I was indignant on the plant’s behalf. Beauty is truth, truth beauty, right? If a plant could give a damn about its name, I can only imagine the imposter syndrome.
One fall I got it in my head to plant stargazer bulbs, and when they roared to life mid-summer they were garish among the understated hostas and bugleweed and still-green sedum. I thought of the picture of Sophia Loren giving the side-eye to Jayne Mansfield’s cleavage. Stargazers are non-native to New Hampshire, of course, and brought beetles to my garden; I sprayed their leaves with neem oil and felt greedy. Not right for my lot, those lilies, but they sure do spruce up a cut bouquet.
Maggie Dietz is the author of That Kind of Happy (University of Chicago Press, 2016) and Perennial Fall (Chicago, 2006). Her third book of poems, If You Would Let Me, is forthcoming from Four Way Books in 2026. She teaches at the University of Massachusetts Lowell.